Vitro Agate
1932 – 1945
1945 – 1989
1989 – 1992
1995 – 2004
Founded
during the Great Depression, the Vitro Agate Company had one of the longest runs
of any modern marble company and still lives on in a sense at the time of this
writing.
Vitro’s
first factory was in Vienna, WV, a suburb of
Henry
Arthur Fisher was a plant manager at the Vitrolite Company in Vienna when he
went to the law offices of former congressman George W. Johnson of Parkersburg
with the idea to start a marble company. Fisher had the knowledge to run it but
not the funds. Johnson, his
stenographer Myrtle G. Smith and a local woman of means named Anna M. Stephenson
were the official founders of the company.
Fisher would be listed as its president, with Johson as vice-president,
and another Vitrolite manager J. Prestley Lindsay as secretary.
Eventually Art Fisher would own the company.
The name of
the company was derived from that of Vitrolite.
Vitro comes from the Latin and means “in glass”.
The Vitrolite Company made heavyweight architectural glass.
Fisher’s initial plan involved using Vitrolite cullet to make the marbles
and Vitro’s early marble style names were plays on the Vitrolite name:
Clear-Lites, Du-Lites and Tri-Lites.
Under
Fisher’s strict management, Vitro weathered WWII and the later invasion of the
It was
around that time when Vitro lost its edge.
There would be various changes of name and complications involved with
ownership over the coming years.
There would be times when the company
seemed viable and times when it did not.
In 1989, Vitro’s marble machines were moved to a Viking Rope Company
plant in
In late
1992 and 1993, Jabo went through the process of acquiring Vitro’s machines, the
remaining inventory and the rights to the Vitro Agate name.
The works were moved to
Much more
colorful information can be found in the books listed at the end of this
article, including stories from former employees and information about various
Vitro styles. Two historically
important styles were Vitro’s first cat’s eye and the All-Red.
These were introduced in 1954 and 1959, resp., and helped the company
survive what turned out to be a very hard decade for American marble makers.
An historically important technique pioneered by Art Fisher in the late
1940’s or early 1950’s was veneering, which allowed Vitro to produce colorful
marbles with a minimal amount of colored glass.
Vitro
marbles are a great place to start collecting.
They include some of the most recognizable styles, yet enough variety to
challenge even veteran collectors.
The later styles can still be found fairly easily and at low cost.
Their earliest marbles have a richness which appeals to many.
More
information:
American Machine-Made Marbles,
2006, Dean Six, Susie Metzler and Michael Johnson
The
Vitro-Agate Company: The