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Contemporary unknown artist


MajorMarbles762

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The construction is fairly unremarkable.  What is odd about it is that most artists wouldn't use a dark core like that.  It kind of disappears.  The "I" appears to be someone's signature, but not one I am familiar with.

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3 hours ago, Alan said:

The "I" appears to be someone's signature, but not one I am familiar with.

Well--we all know that Alan looks but this one took me awhile to find--the "I".

Nice find Alan!

I have no clue on the maker--nice marble--if you like it keep it--if selling it--good luck.

I believe that @William may have some knowledge of this signature--maybe @Melissa as well.

Marble--On!!

 

 

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Ian Arremony....only guess I have...got called out (I think I'm the only William around?), not much of a Contemporary "go to" myself, lol, but researching I found this name? Probably way off, as far as examples that I saw are concerned, and couldn't find anything signed (in my brief search)...took a stab at it....

👍😎

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On 11/25/2024 at 5:15 PM, William said:

Ian Arremony....only guess I have...got called out (I think I'm the only William around?), not much of a Contemporary "go to" myself, lol, but researching I found this name? Probably way off, as far as examples that I saw are concerned, and couldn't find anything signed (in my brief search)...took a stab at it....

👍😎

I'm not familiar with him so I looked him up.  All of the examples of his work is torch work.  The OP piece is a tank piece.

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1 hour ago, MajorMarbles762 said:

Cool thanks for the knowledge, how do you tell the difference between tank and torch in the marble?

The best answer is to watch the processes and study the result.  Tank work involves the construction of a cane, one layer and one step at a time.  Sometimes the step is a twist or a cane/frit pick-up or pulling the cane down.

The slower approach is to study and understand how a cane construction marble is made by looking at photos, perhaps Youtube videos.  There are a number of types - just as in vintage handmades.  Each has it's own approach to the process, but the basics are the same.

Over time you can look at a piece and reverse-engineer how it was made step-by-step.  The torch/cane difference is easy to pick up with some study.  They are quite different.

ETA:  The VERY best is to to take classes at studios.  I took torch lessons from Kate Fowle which were 90% bead making, but the process for handling glass at the torch is similar.  I have tank experience at Wheaton and a glass studio conveniently 15 minutes from me.  Both helped immeasurably - not to mention watching true professionals like Ro Purser, Geoff Beetem, Mark Matthews, Harry Besett, Josh Simpson etc.

 

Harry Besett:

yUBmtS.jpg

 

 

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3 hours ago, Alan said:

The best answer is to watch the processes and study the result.  Tank work involves the construction of a cane, one layer and one step at a time.  Sometimes the step is a twist or a cane/frit pick-up or pulling the cane down.

The slower approach is to study and understand how a cane construction marble is made by looking at photos, perhaps Youtube videos.  There are a number of types - just as in vintage handmades.  Each has it's own approach to the process, but the basics are the same.

Over time you can look at a piece and reverse-engineer how it was made step-by-step.  The torch/cane difference is easy to pick up with some study.  They are quite different.

ETA:  The VERY best is to to take classes at studios.  I took torch lessons from Kate Fowle which were 90% bead making, but the process for handling glass at the torch is similar.  I have tank experience at Wheaton and a glass studio conveniently 15 minutes from me.  Both helped immeasurably - not to mention watching true professionals like Ro Purser, Geoff Beetem, Mark Matthews, Harry Besett, Josh Simpson etc.

 

Harry Besett:

yUBmtS.jpg

 

 

Very cool thank you, I love learning about glass art

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