psia-antique

Ron is a slackard! After 32 years at DuPont, he is out of uniform and not doing any work this evening. Unbelievable! He is talking long distance on the phone. Shocking! AND while being involved in these violations of he is also on a marble chat board...when do these breeches of corpoarate end? AT 6:30 AM. He actually thinks it is clear sailing from here...is it?...no it is NOT!! He thinks he's having a nice breakfast with his work friends of many years in the morning at shift change. He, in his joy, has forgotten to ask himself if McCaleb or I have talked to his work buddies. Would they play practical jokes on him at breakfast? I wonder? He is now on a cigarette break...retirement is imminent and his son has congratulated him. In the next sentence Mike informed Ron what work he has lined up for Ron this week...and so begins retirement. Congrats old timer! Enjoy many a happy memory this evening and breakfast with boys in the AM.

Ann,Since you liked that JABO article, here is another she wrote-the first of three. The author of these has a blog site about cooking, gardening, and all kinds of stuff. She is well read and written a number of books and used to be a senior editor. She just freelances now. Her blog site has been around of 3 or 4 years I think and has won some national awards for excellence JABO: A Classic. January 14, 2009 A while back, our friend Ben wrote a post called “We’ve lost our marbles” about how the great tradition of American toy marble-making has almost become a lost art. While elaborate contemporary handmade marbles continue to enjoy a niche as (often pricey) collectibles, the great companies that dominated the world market from the 1900s through the 1950s with amazingly elaborate machine-made marbles have died out one by one. M.F. Christensen, Akro, Christensen Agate, Peltier, Alley, Ravenswood, and dozens of others are now just names reverently intoned by marble enthusiasts and collectors. As I write, our friend Ben knows of only two companies still making machine-made “toy” marbles in America. One, Marble King of West Virginia, is still making some of the marbles that made it a household name among marbles-playing kids back in the 1950s. But the other, JABO, is doing something that every marble enthusiast should be watching: It is making American marble history, right before our eyes. JABO’s beginnings were humble, like most great American success stories. It began in 1987 when Jack Bogard of the Bogard marble family joined forces with accountant and marble enthusiast Joanne Argabrite to create a new company in what had been the Heaton marble factory in Cairo, West Virginia. Today, JABO operates out of Reno, Ohio, and has become something of a pilgrimage site, thanks to far-seeing marble collectors who recognized the genius of JABO’s marble maker, David McCullough. If America had the good sense to establish a Living Treasures roster, as Japan and other countries have, David McCullough (along with such great artists as Hopi potter Dextra Quotskuyva) would be on that list. David’s talents as a marble-maker were evident when he worked for Champion Agate, another classic American marble company, and are especially evident in his series of Champion “Old-Fashioneds.” Jack Bogard and Joanne Argabrite had the great good sense to hire David to make JABO’s marbles, and the first intimations of a sea change came in his first year with the company, 1991, when he produced the first run of JABO Classics, limited-production special marbles. Let me quote Robert S. Block, a leading marble authority, on these Classic runs (from his Marble Collectors Handbook): “The company produced industrial marbles, mainly opaques. However, Dave McCullough would produce three or four limited runs each year of ‘Classics’ in sizes from 5/8″ to 1″. Each run was different from any previous run, and the marbles were not like any other company’s. Many fluoresce, and they contain many innovative colors and were produced in very short runs.” (The shorter the run, i.e., the fewer marbles produced, the more collectible they are.) When Robert Block wrote this, David, for many years now a full partner at JABO, was only warming up. The marbles he has produced in the last couple of years—2007 and especially 2008—are arguably more innovative and gorgeous than any machine-made marbles ever previously produced. His JOKER, Madyia, JINKS, Dark Knight, Marley, and Last Dance runs display incredibly ornate patterns, and showcase rare materials formerly only found in handmade or single-company legendary marbles: oxblood (an opaque dark red), aventurine (glittery green, blue or black sparkles), lutz (gold glitter), mica. Even the less spectacular marbles from various runs are being named by collectors, like the famous Peltiers and Akros of old: JABO’s Captain Megan, Rebel, Punkin Peewees, Tie Dye, Lilac Expression. Extraordinary marbles like the Woodstock shooters (shooters are the big marbles, in this case about an inch) are so outstanding, they belong in museums. Every JABO marble is different, but there is something about JABOs that makes them instantly recognizable, even by rank amateurs like our friend Ben. Perhaps it’s the depth of the transparent glass, the intricacy of the designs, the unusually rich glow of the clear colors. JABO marbles simply stand alone, like all the great marbles of the past—the Christensen Agates, with their unbelievably bright, pure colors; the Akro corkscrews and Popeyes; the M.F. Christensen “9″ slags. You know when you’re seeing a JABO, just as you know when you’re seeing a Peltier. It’s an incredible achievement. What makes it more incredible is that this is 2009, not 1909 or 1939, when labor was cheap and marbles were a hugely popular kids’ game. In these days, when everything tends to come down to the bottom line, Dave McCullough’s and JABO’s achievement is nothing short of a miracle. And it’s ultimately a five-part miracle. Let’s break that down into its five component parts. First of course is David McCullough’s extraordinary talent and willingness to experiment, and Joanne Argabrite’s and Jack Bogard’s willingness to support him in his work. Second is the enthusiasm of private collectors to fund special runs like the extraordinary JOKER run of 2008. Third is the dedicated work of the JABO historians, which I’ll get to in a moment. Fourth is the group of handmade marble makers who recognize the glory of JABOs and use them in their own work, such as Eddie Seese’s Rebel Shooters and other JABO remelts by such contemporary marble-makers as Joe Schlemmer, Sammy Hogue, and Jim Davis. And fifth are the ordinary everyday collectors like you and me who support David McCullough’s and JABO’s work by buying their marbles for our collections. Let’s backtrack to those marble historians for a minute. There could be no history without historians to record it, and this is as true of JABO marbles as it was of the Revolutionary or Civil War. JABO is blessed to have dedicated enthusiasts following what’s happening as each new development in David McCullough’s marble-making adventure unfolds. Steve Sturtz and Michael Johnson have already written two books documenting the JABO phenomenon, JABO: A Classic and David’s JABO Renaissance. Thanks to Sturtz and Johnson, we can follow along as living marble history is made before our eyes. I hope that many more will follow, and that David McCullough and JABO keep on forging new ground. It’s incredibly exciting to be present when history is being made, and you’re aware of that, be it marble history or statecraft! What a privilege, and thanks to Steve, Michael, Dave, and everyone who’s making it possible. Want to pick up a few JABOs and/or JABO books of your own and get in on the ground floor of the most exciting development in American machine-made marbles in our lifetime? Forget about the official JABO website (www.jabovitro.com). It’s shockingly behind the times in terms of picking up on what’s going on with its own company and the marble-collecting community. Instead, head to eBay, where JABO enthusiasts like JABO historian Steve Sturtz offer books and exceptional marbles for sale. You’ll also find a nice, affordable selection of JABOs, including JOKERs, at Land of Marbles (www.landofmarbles.com). And you can see fantastic photos of named JABOs, learn some JABO lore, and find sources of JABOs for sale at JABO Land. (Luddite that our friend Ben is, I couldn’t exactly figure out the web address of JABO Land, but if you Google it, you’ll get there.) Prices are starting to skyrocket as marble collectors finally realize what JABO is doing, however, so get over there now if you want to own a piece of marble-making history for a bargain price! Because these special runs are being supported by collectors and investors rather than the open market, there’s no telling how long JABO can remain viable, which adds a poignant urgency to the whole story. But for now, you too can still be instrumental in marble-making history.

Ziggy, I apologize to you and the others. I didn't mean to make fun of you. I meant my piece as a jibe to the folly of the whole thread. I rarely speak in big words and when I do, I am usually fooling around. On the other hand, I don't think it fair of you or anyone to judge or penalize anyone for having a good vocabulary or working hard to be educated or to work hard at anything. I meant my piece to be folly in the spirit of Swift's "A Modest Proposal." Again,I apologize.

David, You are Puck! I agree with Ziggy, Robin, and Bo Kempf. I think that people like you have who have been involved in many of the major marble issues of the last 20 years, written articles, and speak with great polysyllabic avoirdupois should at least be banned. I further think you should be sent to the stocks, flogged, and taunted by gay little chants like MOMO from the ubiquitous masses who prefer to speak with opinions than learn or hear the facts. To the stocks with him! IMHO Peace…

JABO’s on a roll. August 4, 2009 Posted by ourfriendben in wit and wisdom. Tags: Dave McCullough, JABO, marble collecting, marbles 4 comments Our friend Ben is a marble enthusiast. No, not marbles as in marble countertops, marbles as in those intricate, colorful spheres that were once used as street toys by Depression-era boys and now are cherished by collectors, including yours truly. I love the old, handmade German marbles of the nineteenth and early twentieth centuries. I love the homely clay marbles that have been made from Ancient Egypt through the Civil War, and beyond. I love the impressive array of machine-made marbles that emerged when America became the marble-making capital of the world at the turn of the twentieth century, and great names like M.F. Christensen, Christensen Agate, Akro, Peltier, Alley, Champion, and Marble King worked their wizardry in glass. I love the fabulous handmade artisanal marbles being made today by artists in studios across the country and the world. But as dedicated readers will recall from previous posts (”JABO: A Classic” and “Pretty enough to be a JABO”), one of my greatest marble love affairs is with JABO Inc. JABO is a comparatively modern marble factory, coming into existence in the late 1980s after Mexico had already made a bid for marble supremacy through its Vacor marble factory. JABO’s industrial marble production withstood the threat of Vacor, even diversifying into what are called “gems,” the flat glass disks that crafters use in vases and aquariums. But ultimately, JABO’s profitabililty was dealt an apparent death blow by the rise of China as a source of industrial and cheap play marbles. By the time JABO rose to prominence, almost all the American marble titans had fallen like dominoes, first to Japan’s cheap, innovative post-WWII cat’s-eye marbles, then to Mexico’s cheap labor, and finally to the death of marbles as a hugely popular kids’ game. Marbles was one of the preeminent kids’ games in the 1930s, but by the 1960s, TV, air conditioning, and faceless suburbs had supplanted neighborhoods where parents socialized on front porches and kids played in the dusty streets. Marbles went the way of Pogo, Buster Brown, and Flappers: into the quaint archives of social history. The great American marble industry, which had thrived through the Depression as more august businesses withered, could not withstand the isolation and alienation that characterized 20th-century suburban living. Still, two American marble companies managed to hang on: Marble King, the last of the old-time marble companies, and JABO, the new kid on the block. Marble King has survived by doing what it always did, promoting the sale of play marbles to kids as affordably as possible. JABO has survived because of its visionary leader, marble-maker extraordinaire David McCullough, his talented staff, and marble enthusiasts who can’t wait to see what they’ll come up with next. In 2009, when the marble world was watching JABO with bated breath, wondering when it would breathe its last, the company has been going forward, breaking new ground in machine-made marble history, if anything revitalized by the threat to its existence. It’s a real testament to the faith and vision of Dave McCullough & co., to the support of patrons who appreciate JABO’s contributions to machine-made marble history, and to the ongoing interest in beautiful marbles among collectors. Marbles are made in “runs,” when scrap glass, called cullet, is shoveled into a fiery furnace and the molten glass pours out through a series of mechanisms to form the familiar orbs. They’re called “runs” because, once you’ve heated the furnace and started shovelling the glass, you don’t stop until you’ve run out of the cullet and there’s nothing more to put in the fire. (To watch this process in action, check out the video Joe Street made of a JABO Tribute run at http://www.vidler.com/explore/joemarbles/videos/1/.) The process sounds simple, right? Heat the furnace, dump in scrap glass, make marbles. Not quite. The genius of great marble-makers is knowing exactly what kinds of glass cullet to add, in what quantity and order, at what heat, to get what results. They say that God is in the details, and that’s never more true than in marble-making, where results depend on the weather, the available materials, the marble-maker’s vision and knowledge, and simple dumb luck as much as anything else. That’s why JABO’s 2009 runs, including the Tribute to Friendship run, in which our friend Ben was honored to participate, as well as March Madness, JOKER II, the fabulous Ultra run, and numerous others, have been such an extraordinary testament to the skill of Dave McCullough and such a fantastic legacy for American marble-making. If you love marbles but haven’t really thought about them in a while, make sure you check out what JABO’s been up to and get some of these extraordinary marbles for yourself (eBay’s a great source). If you’re already a JABO fanatic, don’t miss Dave’s latest and greatest. And if you simply love the nostalgia of a simpler time, when Lincoln Logs, marbles, Monopoly, and other real, touchable games reigned supreme and you faced your opponents—usually good friends—in real life, rather than in cyberspace, you might want to start a collection of marbles from the last great American marble company. Our friend Ben knows one thing: You won’t regret it.

Kevin, There is Vitro oxblood! They have marbles with both translucent and opaque oxblood.

I don't recognize this mib as JABO. sorry.

rswife. I sure wish Icould be at that flea market....I KNOW what you will have...I envy those who are able to attend and shop. I just hope there are some little treasures left over when I finally get down there...good luck!

Billy, JABO?? I've never seen any like those. They look like they are from South of the Border to me. I' ll bet Andy doesn't know who you are or what your avatar represents. I'llo bet we both have friends who have dug more Akro that the appraiser has ever seen. Wonder if he could ID some of those?

Edna, Stop telling ALL the "Scooter" tales. Some of us "forgot" that part!! Uncle Ron is going to the tire store after work to find some aggressive tread off road tires and to price lift kits. Triker not only has the greast flaming paint scheme, but has figured our how to put a 10 sopeaker sound system. He also has the wireless computer setup ready to go. Better get Weldon to the Harley shop to get his leathers.

Ron, Secrets you should know... The "scooter" (also Weldon's new nickname) is an off road model. Soon Triker will arrive by private jet to customize the paint job.This scooter is the outdoor model and takes on rough terrain better than the indoor model which has less ground clearance and is no good for "runs", digs and off roading. Rumor has it that the first trip on a scooter to the 4th of July festivities in Waller were very successful. My spies, the fine church going women of Waller, reported after the adventures on the the 4th that Weldon has turned into the social butterfly of Waller. If I get any further reports from Waller, I will post them.

Triker, Looks like you finally got there! Tell all...lol

Hey Felicia, when are you going to tell us your age?...lol

Hey Felicia...HAPPY BIRTHDAY!...many more too...

Great thread. thank you gang...

Beautiful! Who did the repair work?

congrats!

So many questions... I can't answer and am not aware of who can. My hope for you and us that these questions create more questions that leads to appropriate documentation. I have been told that the first Pelt slags were hand gather, machine made hence "transitionals." It seems to me though that no one is sure, but I plan on asking a lot more questions of many. You may prove that what is "known" now is "bibliographic echo" or it is true.Either way, we all win and get to learn from your journey. Thank you

"I DID go over and read the entire thread on LOM, and printed out the 1928 patent last night before I left work, and read it at home, at my leisure." The first Peltier slags were apparently made in 1924 and the experts don't seem to be able to prove one way or the other whether regular slags were made first or the feathered ones were or some combination. Does your reading of the 1928 patent give any indication of which came first or how the patent changed the way Peltier made slags?

Ann, Nice little video on utube. Congrats on your release. I have are excellent for you.

Hey Joe, To quote you, "how hard could it be?"...lol...congrats again on a great job and just a few 1000 hours. Your passsion for the hobby shows.

Ric, Soon mibcappers will be ubiquitous. Congrats Billy!

Old Rusty, You birthday boy heart breaker! Is there something Triker, Ric, Uncle Ron,and I should know? Under the full and fair disclosure policy, I was promted to do a little digging. "Be nice to somebody today"...

Beauties. Does anyone have a sense of how rare they are?

Felicia, good luck on your sales.