Ric

Here's a pic with representative kin. -Ric

Yeah, I know Glitter Man . . . sorry! But my camera's off on another mission at the moment. I'll try to get some up a bit later today. Thanks, -Ric

I've been looking at my Vitros, which don't get much attention in my house, and I've been comparing what I had separated as White Blackies and Black Whities. This separation was initially based primarily on the lots that the marbles came in - a lot with many Whities and no Blackies, or vice versa, would land the black-ribboned marble along with the rest. And these marbles do appear more at home in one group than the other. It seems that the white base on Blackies is not as bright as that on Whities, and as far as I can tell, the black ribbons are often more thinly applied on the Blackies as well. Does anyone else have other suggestions? Would any one have an idea about the relative numbers of these produced? Thanks, -Ric

In my experience, those with two different colored patches (neither white) and two same colored ribbons around the equator (not white) are harder to find. To the best of my recollection, the only ones I've seen like that have yellow, orange or blue ribbons. So I think the ones you're talking about are even less common. -Ric

As Kevin said, the Freese improvement (mid-1920s) to Akro's machines involved offsetting the rollers to get rid of the heavy crimp marks and associated "eyelashes" at the cutoffs. Pre-Freese style cutoffs are also seen on Master marbles, since the Freese improvement was never incorporated on their machines, which were similar to those used by Akro. That's why it can be difficult to distinguish some early Akros from some Masters. At least this is my understanding. -Ric

Carole, WOW! That is no doubt a beautiful marble. I don't think I've ever seen one quite like it. The twisting lutz ribbons are awesome! Is there a name for that type? -Ric

O.K., Since you said "collectors" and not "investors", I'm going to guess Gary - he looks pretty tall in the pics.

Well, I know Steve's not exactly a spring chicken . . . but he's not older than basketball . . . or collages . . . is he? lol -Ric

Yeah . . . I'll bet it's not because he's irresistibly photogenic. lol. . . . JK Griff - couldn't help myself. -Ric

Mighty sweet find there Brad! The handmades are very nice, but I'm really likin' that little red one. -Ric

Those are some sweet ones, Steve. Nice run I'd say. That red is beautiful. What's the story on those clear ones in the second pic? -Ric

Here are some Libby reflector buttons, with a screw base for easy replacement. They came in different colors too. -Ric

If I remember correctly, that type of patch should cover about 1/3 of the marble. I think this is one of the Unique Bird Patches - I'm just not sure which bird. Can ya' see it? -Ric

Nice Kevin. The top one does look a little Citrusy but . . .? -Ric

Sweet Furnace Kevin. They are especially cool when they flare up. -Ric

I thought that the Tawnies were a variation of the Hero style patch but . . .? That one looks more like a mildly lazy cork to me. -Ric

If you're looking for pics and IDs to get started, I would suggest Popular American Marbles (Six, Metzler & Johnson) or Everett Grist's Big Book of Marbles. If you want more about company histories and packaging, then try American Machine Made Marbles (Six, Metzler & Johnson). -Ric

Nice Chinas! -Ric

I would put them both in the dug Akro bin. -Ric

Super nice colors - glows like nuts, and oxblood too. Could they cram anything else in a marble? That is really sweet! -Ric

Janice, The aqua blue is very cool. -Ric

Bill, I think my 16 year old son said it best when he caught me admiring your pic (he's nuts for lutz): "BLINGGGGOOOO! Can ya' put a couple of those on my Christmas list?" -Ric

So . . . Kevin, Does this mean you're ready to trade Ravenswoods for Vitros? :thewave: 'cause I've got some mighty sweet Veets for ya' . . . -Ric